A La Nuit
Jasmine, stripped raw and left to bloom in the dark. That is what Serge Lutens A La Nuit, an Eau de Parfum released in 2000 and created by perfumer Christopher Sheldrake, is doing on your skin. It does not dress jasmine up or soften it for a wider audience. It presents the flower exactly as it is: green, honeyed, fleshy, slightly dirty, and completely alive. Aromatica carries the Serge Lutens A La Nuit decant in Bangladesh in all available sizes.
Fragrance Notes
Top: Cloves, Green Notes
Heart: Jasmine (Egyptian, Indian, Moroccan)
Base: Benzoin, Honey, Musk
The Scent
A brief, dry flash of clove and something almost medicinal, green and stem-like, cuts through in the first few seconds before the jasmine takes full hold. It lasts perhaps a minute. Then the flower arrives in force. This is not the clean, powdered jasmine you find in mainstream florals. It is dense, indolic, and immediately recognizable as the real thing, the kind of smell you get when you press your nose directly into a fully open jasmine blossom on a warm night.
The three jasmine varieties work together rather than as distinct layers. The Egyptian jasmine brings a fatty, almost waxy richness. The Indian adds that characteristic animalic quality, a hint of something fermented or overripe, which is where the fragrance gets genuinely polarizing. It can read faintly of something barnyard-adjacent in that first bloom, or it can register as the authentic indolic depth of real jasmine rather than a synthetic reconstruction, depending on skin chemistry and what the nose is tuned to notice.
As it settles onto skin, the Moroccan jasmine note adds a slightly greener, more delicate thread that keeps the composition from going fully heavy. The honey in the base begins to surface around the twenty-minute mark, wrapping the jasmine in warmth without making it sweet. It reads more like the natural nectar within the flower than a separate ingredient. The benzoin does something similar, providing a quiet resinous anchor that keeps everything grounded and prevents the florals from lifting away.
It is worth pausing on that indolic quality, because it is the axis around which opinions on A La Nuit tend to split. Indoles are naturally occurring compounds in real jasmine flowers, and at higher concentrations they tip from floral into something animal, almost animalic. Serge Lutens and Sheldrake did not reduce that quality. They left it in, which is why this fragrance smells like a living plant rather than a reconstruction of one. Those coming from lighter florals can find the opening aggressive. Those who know natural jasmine oil recognize it as honest.
Between the bloom and the dry-down, there is a middle passage worth noting on its own terms. The clove has fully retreated, the indolic peak softens, and the three jasmine varieties begin to speak with a single voice rather than in distinct registers. The honey and benzoin rise slowly through this phase, lending the heart a warmth that feels earned rather than applied. The composition does not rush this transition. It allows each stage to resolve before moving to the next, which is part of what makes wearing it feel like watching a flower open in real time rather than smelling a finished portrait of one. This unhurried unfolding is where the craftsmanship of Sheldrake's construction becomes most apparent: the three source jasmines, so distinct in character, gradually converge into a unified floral warmth that neither the Egyptian richness, the Indian animalic note, nor the Moroccan green thread could achieve alone.
By the dry-down, A La Nuit becomes something genuinely skin-like. The musk settles close, the clove is long gone, and what remains is a soft, intimate version of that same jasmine, warmer and closer to the body, with a faint benzoin sweetness underneath. The transition from the full-bloom opening to this dry, musky finish is the real pleasure of wearing it.
When to Wear
A La Nuit is a fragrance for cooler evenings and late nights, spring through early autumn, when jasmine is in bloom and warmth draws out its natural depth. Wear it to an intimate dinner, a gallery opening, or any setting that is close and unhurried.
Who Is It For
Someone who has smelled synthetic jasmine in a thousand mainstream bottles and wants the real, slightly unsettling version of it will find A La Nuit speaks directly to that want. It suits wearers who appreciate unapologetically natural florals and are not put off by the indolic edge that makes genuine jasmine smell alive rather than laundered.
If you enjoy Gorgeous Jasmine by Gucci, A La Nuit occupies the same jasmine territory but pushes considerably deeper and more raw. Browse the full Serge Lutens collection at Aromatica.
Available as an authentic decant in Bangladesh at Aromatica in 3ml, 5ml, 9ml, and 15ml.
Original: $1,173.00
-65%$1,173.00
$410.55Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Jasmine, stripped raw and left to bloom in the dark. That is what Serge Lutens A La Nuit, an Eau de Parfum released in 2000 and created by perfumer Christopher Sheldrake, is doing on your skin. It does not dress jasmine up or soften it for a wider audience. It presents the flower exactly as it is: green, honeyed, fleshy, slightly dirty, and completely alive. Aromatica carries the Serge Lutens A La Nuit decant in Bangladesh in all available sizes.
Fragrance Notes
Top: Cloves, Green Notes
Heart: Jasmine (Egyptian, Indian, Moroccan)
Base: Benzoin, Honey, Musk
The Scent
A brief, dry flash of clove and something almost medicinal, green and stem-like, cuts through in the first few seconds before the jasmine takes full hold. It lasts perhaps a minute. Then the flower arrives in force. This is not the clean, powdered jasmine you find in mainstream florals. It is dense, indolic, and immediately recognizable as the real thing, the kind of smell you get when you press your nose directly into a fully open jasmine blossom on a warm night.
The three jasmine varieties work together rather than as distinct layers. The Egyptian jasmine brings a fatty, almost waxy richness. The Indian adds that characteristic animalic quality, a hint of something fermented or overripe, which is where the fragrance gets genuinely polarizing. It can read faintly of something barnyard-adjacent in that first bloom, or it can register as the authentic indolic depth of real jasmine rather than a synthetic reconstruction, depending on skin chemistry and what the nose is tuned to notice.
As it settles onto skin, the Moroccan jasmine note adds a slightly greener, more delicate thread that keeps the composition from going fully heavy. The honey in the base begins to surface around the twenty-minute mark, wrapping the jasmine in warmth without making it sweet. It reads more like the natural nectar within the flower than a separate ingredient. The benzoin does something similar, providing a quiet resinous anchor that keeps everything grounded and prevents the florals from lifting away.
It is worth pausing on that indolic quality, because it is the axis around which opinions on A La Nuit tend to split. Indoles are naturally occurring compounds in real jasmine flowers, and at higher concentrations they tip from floral into something animal, almost animalic. Serge Lutens and Sheldrake did not reduce that quality. They left it in, which is why this fragrance smells like a living plant rather than a reconstruction of one. Those coming from lighter florals can find the opening aggressive. Those who know natural jasmine oil recognize it as honest.
Between the bloom and the dry-down, there is a middle passage worth noting on its own terms. The clove has fully retreated, the indolic peak softens, and the three jasmine varieties begin to speak with a single voice rather than in distinct registers. The honey and benzoin rise slowly through this phase, lending the heart a warmth that feels earned rather than applied. The composition does not rush this transition. It allows each stage to resolve before moving to the next, which is part of what makes wearing it feel like watching a flower open in real time rather than smelling a finished portrait of one. This unhurried unfolding is where the craftsmanship of Sheldrake's construction becomes most apparent: the three source jasmines, so distinct in character, gradually converge into a unified floral warmth that neither the Egyptian richness, the Indian animalic note, nor the Moroccan green thread could achieve alone.
By the dry-down, A La Nuit becomes something genuinely skin-like. The musk settles close, the clove is long gone, and what remains is a soft, intimate version of that same jasmine, warmer and closer to the body, with a faint benzoin sweetness underneath. The transition from the full-bloom opening to this dry, musky finish is the real pleasure of wearing it.
When to Wear
A La Nuit is a fragrance for cooler evenings and late nights, spring through early autumn, when jasmine is in bloom and warmth draws out its natural depth. Wear it to an intimate dinner, a gallery opening, or any setting that is close and unhurried.
Who Is It For
Someone who has smelled synthetic jasmine in a thousand mainstream bottles and wants the real, slightly unsettling version of it will find A La Nuit speaks directly to that want. It suits wearers who appreciate unapologetically natural florals and are not put off by the indolic edge that makes genuine jasmine smell alive rather than laundered.
If you enjoy Gorgeous Jasmine by Gucci, A La Nuit occupies the same jasmine territory but pushes considerably deeper and more raw. Browse the full Serge Lutens collection at Aromatica.
Available as an authentic decant in Bangladesh at Aromatica in 3ml, 5ml, 9ml, and 15ml.
